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Benny Golson

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Benny Golson
Golson in 1985
Golson in 1985
Background information
Born(1929-01-25)January 25, 1929
Philadelphia, Pennsylvania, U.S.
DiedSeptember 21, 2024(2024-09-21) (aged 95)
New York City, U.S.
Genres
Occupations
  • Musician
  • composer
  • arranger
InstrumentTenor saxophone
Years active1949–2024
Formerly ofThe Jazztet
Websitewww.bennygolson.com

Benny Golson (January 25, 1929 – September 21, 2024) was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.

Many of Golson's compositions have become jazz standards including "I Remember Clifford", "Blues March", "Stablemates", "Whisper Not", "Along Came Betty", and "Killer Joe". He is regarded as "one of the most significant contributors" to the development of hard bop jazz, and was a recipient of a Grammy Trustees Award in 2021.

Early life and education

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He was born Benny Golson in Philadelphia, Pennsylvania, on January 25, 1929,[1][2] His father, also Bennie Golson, left the family early. His mother Celadia brought the family up, working as a seamstress and a waitress.[3] Golson witnessed racism first at age eight on a trip to Georgia with an uncle.[3] He began taking piano lessons at age nine;[4] his interest in music was nurtured at Benjamin Franklin High School in Philadelphia giving him ambitions to become a concert pianist;[3][5] he was fascinated by the music of Brahms and Chopin.[6] At age 13, he was taken to New York's Minton Playhouse, where bebop was born, and he experienced some bop pioneers including Thelonious Monk.[3] He saw Lionel Hampton's band, featuring Arnett Cobb on tenor saxophone, at Philadelphia's Earle Theatre.[1][3][4] Inspired, he switched to the saxophone at age 14.[4] At the high school, he played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney.[3][6] He later attended Howard University.[1][3]

Career

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Golson in New York City in 2006

After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm and blues band;[7] Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time.[2]

From 1953 to 1959, Golson played with Dameron's band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers,[2][3] with whom he recorded the classic Moanin' in 1958.[8]

Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron's band,[9] had died in a car accident. Golson was so moved by the event [10] that he composed the threnody "I Remember Clifford", as a tribute to a fellow musician and friend.[3][6][11]

In addition to "I Remember Clifford", many of Golson's other compositions have become jazz standards. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?", have been performed and recorded numerous times by many musicians.[12]

From 1959 to 1962, Golson co-led the Jazztet with Art Farmer,[2] mainly playing his own compositions.[13] Golson then left jazz to concentrate on studio and orchestral work for 12 years.[2] During this time he composed music for such television shows as Mannix, Ironside, Room 222, M*A*S*H, The Partridge Family and Mission: Impossible.[3] He also formulated and conducted arrangements to various recordings, such as Eric Is Here, a 1967 album by Eric Burdon, which features five of Golson's arrangements, conducted by Golson.[14]

During the mid-1970s, Golson returned to jazz playing and recording.[3] Critic Scott Yanow of AllMusic wrote that Golson's sax style underwent a major shift with his performing comeback, more resembling avant-garde Archie Shepp than the swing-era Don Byas influence of Golson's youth.[15] He made a successful second career playing in clubs and on festivals internationally.[3] In 1982, Golson re-organized the Jazztet with Farmer.[3][16]

Golson played a cameo role in the 2004 movie The Terminal, related to his appearance in A Great Day in Harlem, a group photograph of prominent jazz musicians taken in 1958.[3][17] Main character Viktor Navorski (Tom Hanks) travels to the US from Europe to obtain Golson's signature; Golson was one of seven musicians then surviving from the photo, the others being Johnny Griffin (died 2008), Eddie Locke (died 2009), Hank Jones (died 2010), Marian McPartland (died 2013), Horace Silver (died 2014), and Sonny Rollins. Pianist Ray Bryant's song "Something in B-Flat," which was included on the Golson's debut album as a leader, Benny Golson's New York Scene, can be heard during a scene where Viktor is painting and redecorating part of an airport terminal; in a later scene, Golson's band performs "Killer Joe".[18] The album Terminal 1 was released by Golson shortly after the film, as a "homage to Steven Spielberg", its director.[19]

Musical style

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Golson's early playing has been described as "characterised by a distinctively fibrous, slightly hoarse tone ... firmly within the mainstream-modern tradition exemplified by another of his heroes, the tenor player Don Byas." During the 1960s, however, he absorbed some of the techniques pioneered by his friend John Coltrane, whom he described as "an inextinguishable example of spiritual nobility."[3] He is regarded as "one of the most significant contributors" to the development of hard bop jazz.[20]

Personal life

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Golson was married to Seville Golson; they had three sons, Odis, Reggie and Robert, and the marriage ended in divorce.[1] He married the ballet dancer Bobbie Hurd in 1959;[3] they had a daughter, Brielle.[1][3] In an interview with Awake! on October 8, 1980, Golson said that since the late 1960s he and his wife had become members of Jehovah's Witnesses.[3][21]

Golson died at his home in Manhattan, New York, on September 21, 2024, at the age of 95.[1][3][6]

Awards and honors

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In 1996, Golson received the NEA Jazz Masters Award of the National Endowment for the Arts.[22]

In 1999, Golson was awarded an honorary doctorate of music from Berklee College of Music.[23]

In October 2007, Golson received the Mellon Living Legend Legacy Award,[22] presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Additionally, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university's 37th Annual Jazz Concert in the Carnegie Music Hall.[24]

In November 2009, Golson was inducted into the International Academy of Jazz Hall of Fame, during a performance at the University of Pittsburgh's annual jazz seminar and concert.[25][26]

He received the Grammy Trustees Award in 2021.[27]

The Howard University Jazz Studies program created a prestigious award in his honor called the "Benny Golson Jazz Master Award" in 1996. Many distinguished jazz artists have received this award.[28]

Notable compositions

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  • Benny Golson in Denmark (2007)

Discography

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Main article: Benny Golson discography

Sources:[29][30]

References

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  1. ^ a b c d e f Schudel, Matt (September 22, 2024). "Benny Golson, jazz saxophonist and composer of surpassing grace, dies at 95". The Washington Post.
  2. ^ a b c d e Larkin, Colin (2006). "Golson, Benny". The Encyclopedia of Popular Music. Vol. 3 (4th ed.). Oxford: Oxford University Press. p. 806. ISBN 9780195313734. Retrieved December 30, 2022 – via Internet Archive.
  3. ^ a b c d e f g h i j k l m n o p q r s Williams, Richard (September 25, 2024). "Benny Golson obituary". The Guardian. Retrieved September 26, 2024.
  4. ^ a b c d e f g h "Benny Golson (1996)". NEA Jazz Masters: America's Highest Honour in Jazz (2nd ed.). Washington, DC: National Endowment for the Arts. 2004. p. 41. OCLC 1049898284. Retrieved December 30, 2022 – via Internet Archive.
  5. ^ Merod, Jim & Golson, Benny (1995). "Forward Motion: An Interview with Benny Golson". Boundary 2. 22 (2). Durham, NC: Duke University Press: 53–93. doi:10.2307/303820. ISSN 1527-2141. JSTOR 303820. Archived from the original on December 30, 2022. Retrieved December 30, 2022.
  6. ^ a b c d Habersetzer, Ulrich (September 23, 2024). "Feeling fürs Besondere". BR (in German). Retrieved September 26, 2024.
  7. ^ "Benny Golson | Biography & History". AllMusic. Retrieved July 27, 2021.
  8. ^ "Moanin' – Art Blakey & the Jazz Messengers, Art Blakey | Songs, Reviews, Credits". AllMusic. Archived from the original on July 27, 2021. Retrieved July 27, 2021.
  9. ^ "Clifford Brown Discography". Jazz Discography Project. Archived from the original on July 1, 2014. Retrieved April 23, 2014.
  10. ^ "Benny Golson". Clifford Brown. Retrieved September 26, 2024.
  11. ^ "I Remember Clifford (1957)". jazzstandards.com. Retrieved September 26, 2024.
  12. ^ Bailey, Phil and Hancock, Benny (1979) Benny Golson: Eight Jazz Classics, p. iii. Jamey Aebersold Jazz.
  13. ^ Postif, François (1998). Jazz me blues: Interviews et portraits de musiciens de jazz et de blues (in French). Paris: Outre Mesure. p. 418. ISBN 2907891162. OCLC 1035905400. Retrieved December 30, 2022 – via Internet Archive.
  14. ^ Credits – Eric Is Here Archived September 6, 2017, at the Wayback Machine; Discogs.com. Retrieved July 8, 2017.
  15. ^ Yanow, Scott. AllMusic biography Archived April 6, 2019, at the Wayback Machine, accessed April 6, 2019
  16. ^ Feather, Leonard & Gitler, Ira (2007) The Biographical Encyclopedia of Jazz, p. 261. Oxford University Press.
  17. ^ Myers, Marc (November 2, 2018). "A Great Day in Harlem, Revisited". Wall Street Journal. New York. Archived from the original on December 30, 2022. Retrieved December 30, 2022.
  18. ^ Grandt, Jürgen E. (2018). Gettin' Around: Jazz, Script, Transnationalism. University of Georgia Press. pp. 113–120.
  19. ^ Fordham, John (July 29, 2004). "Benny Golson, Terminal 1". The Guardian. London. Retrieved December 30, 2022.
  20. ^ a b c Fitzgerald, Michael (2017). "Whisper Not: The Autobiography of Benny Golson". ARSC Journal. 48 (1). Association for Recorded Sound Collections: 47–50, 86. ISSN 2151-4402. ProQuest 1961322977. Retrieved December 30, 2022 – via ProQuest.
  21. ^ Golson, Benny (1980). "Keeping my Music in its Place". wol.jw.org. Retrieved September 26, 2024.
  22. ^ a b "Benny Golson". National Endowment for the Arts. Archived from the original on March 19, 2021. Retrieved March 1, 2021.
  23. ^ Media, Mountain. "Golson, Benny". Ejazzlines.com. Archived from the original on March 30, 2022. Retrieved April 15, 2020.
  24. ^ Blake, Sharon S. (November 12, 2007). "Jazz Week Capped With Sold-Out Concert". Pitt Chronicle. Archived from the original on September 22, 2020. Retrieved March 1, 2021.
  25. ^ "Benny Golson, a living jazz legend". selmer.fr. Retrieved September 26, 2024.
  26. ^ "The University of Pittsburgh International Academy of Jazz Hall of Fame Iinductees" (PDF). jazz.pitt.edu. Retrieved September 26, 2024.
  27. ^ "The Recording Academy Announces 2021 Special Merit Awards Honorees: Selena, Grandmaster Flash & The Furious Five, Talking Heads, Lionel Hampton, Marilyn Horne, Salt-N-Pepa And More". Grammy Awards. Santa Monica, CA: The Recording Academy. December 9, 2020. Archived from the original on December 30, 2022. Retrieved December 30, 2022.
  28. ^ "Benny Golson Award". Howard University Jazz Ensemble. Archived from the original on March 1, 2021. Retrieved March 1, 2021.
  29. ^ Benny Golson Discography jazzdisco.org
  30. ^ Discography AllMusic
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