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Portal:Feminism

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The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for women have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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Maria: or, The Wrongs of Woman
Maria: or, The Wrongs of Woman is Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also indicts women for wallowing in a false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as an autobiography.
Anna Bilińska
Anna Bilińska
Credit: Anna Bilińska/MNK

Anna Bilińska (1854–1893) was a Polish Realist painter. Born in Zlatopil, she moved to Paris to study at the Académie Julian. Bilińska is one of the first Polish female artists to receive professional artistic education and critical acclaim. Her paintings include A Negress and At the Seashore. This self-portrait of Bilińska, wearing an apron and holding a bundle of brushes, was painted in oil on canvas in 1887 and is now in the collection of the National Museum in Kraków.

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Nisia Floresta

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Katha Pollitt
[Feminism is] about women having intrinsic value as persons rather than contingent value as a means to an end for others: fetuses, children, the "family", men.
Princess Helena of the United Kingdom
The Princess Helena (Helena Augusta Victoria: Princess Christian of Schleswig-Holstein by marriage; 1846 - 1923) was a member of the British Royal Family, the third daughter and fifth child of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha. Helena was educated by private tutors chosen by her father and his close friend and adviser, Baron Stockmar. The intimate atmosphere of the royal court came to an end on 14 December 1861, when her father died and her mother entered a period of intense mourning. On 5 July 1866, Helena married the impoverished German Prince Christian of Schleswig-Holstein. The couple remained in England, in calling distance of the Queen, who liked to have her daughters nearby, and Helena along with her youngest sister, Princess Beatrice, became the Queen's unofficial secretary. However, after Queen Victoria's death on 22 January 1901, Helena saw relatively little of her surviving siblings. Helena was one of the founding members of the Red Cross. She was founding president of the Royal School of Needlework, and president of the Royal British Nurses' Association. As president of the latter, she was a strong supporter of nurse registration against the advice of Florence Nightingale. She became the first member of her family to celebrate her 50th wedding anniversary in 1916, but her husband died a year later. Helena outlived him by six years, and died aged 77 at Schomberg House on 19 June 1923.

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Shushanik Kurghinian

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